I am Afghan, and my wardrobe has always been a quiet rebellion and a gentle love letter to where I come from. At parties in Berkeley or in silence at a retreat in Portugal, my “too much” clothing is simply how life chooses to dance through this body—one Afghan dress, one Indian outfit, one “simple” Western design at a time.

To my sisters in Iran and Afghanistan— I write to you tonight not as a distant observer, but as one whose heart beats with yours. If I could, I would sit beside each of you tonight—on rooftops in Tehran, in courtyards in Herat, in dimly lit rooms in Kabul where the curtains stay half‑closed—and place your tired hands between my own. I would say, before anything else: you are not alone, and you have never been forgotten. I know that some days the weight is unbearable: the clo

In Iranian memory, the lion has long stood for courage and sovereignty; here it walks through a war‑torn orchard under the shadow of an eagle and a shrine‑beast. This is my way of speaking about Iran, Palestine, and Afghanistan in the current wars without maps or headlines—only animals, orchards, and the dangerous act of remembering the taste of our innate wisdom.

On being a Muslim woman between Kabul, Tehran, and San Francisco Bay Area By Anosha Zereh When I say I am Muslim, I am not offering you a party, a passport, or a political program. I am naming the wound and the wonder at the center of my being — the place where God looks at God through these borrowed eyes.

A people’s letter from Iran, Afghanistan, and the borderlands, this piece sits with Jalal Al-e Ahmad’s warning about Gharbzadegi and asks what liberation means when it is imposed from above versus awakened from within. It is a meditation on tyrants and martyrs, Western “saviors,” and the quiet, vast freedom that still breathes beneath our borders and our hardest days.

I understand the trauma and rage that erupt as celebration, but I cannot call the machinery of assassination and airstrikes a path to liberation. I was not born for empires or emirs. I do not belong to the turbans that ban my sisters from the sky, nor to the uniforms that baptize bombs as freedom. The regimes that rule my motherland Afghanistan and my adopted home Iran have broken my heart a thousand times, but I will not offer that broken heart to Washington or Tel Aviv as p

“No More Girls”: How Afghan Daughters Are Being Erased from Public Life

Enhanced Version: Stewardship, Dignity, and a Lineage Older Than Doctrine Long before religion wore names, humans already knew—they were not owners of the world, but guests within it. The Islamic teaching of khalifa is not a new revelation. It is a remembering—an echo of an ancient human responsibility that has traveled through nomadic memory, Zoroastrian ethics, and Islamic consciousness.

My Artistry: Intuitive, Afghan-Born, Rooted in Wholeness The stories I write today rise from Afghan soil, but they follow the path of intuition rather than tradition. They come from memory, from exile, from longing — but also from a quieter place beneath all of that.

A story of ancestry, myth, and the wild feminine that refuses to be named.

A lyrical reflection on the Afghanistan the world never sees—childhood gardens, family, memory, and the quiet grief of diaspora. An invitation to witness a different Kabul.