Good morning, my friends. Today, I am excited to share something very close to my heart: my debut novella, A Family of Seven and One T.V., is now available for preorder. This story grew from years of working closely with refugee communities in the Middle East, shaped by the stories, laughter, and grief we have shared. It invites readers to see these communities with softer, more loving eyes. This novella is a light-hearted comedy told through nine segments, capturing the r

I am Afghan, and my wardrobe has always been a quiet rebellion and a gentle love letter to where I come from. At parties in Berkeley or in silence at a retreat in Portugal, my “too much” clothing is simply how life chooses to dance through this body—one Afghan dress, one Indian outfit, one “simple” Western design at a time.

A Sufi Reflection on Love, Surrender, and the Vanishing of the Self By Anosha Zereh When I first thought about intimacy, I imagined it as something reserved for romantic moments or private conversations. Over time, I came to see that intimacy is far more vast. It is not confined to relationship—it is a way of حضور, of being present enough to let another soul touch your truth.

A people’s letter from Iran, Afghanistan, and the borderlands, this piece sits with Jalal Al-e Ahmad’s warning about Gharbzadegi and asks what liberation means when it is imposed from above versus awakened from within. It is a meditation on tyrants and martyrs, Western “saviors,” and the quiet, vast freedom that still breathes beneath our borders and our hardest days.

“No More Girls”: How Afghan Daughters Are Being Erased from Public Life

Enhanced Version: Stewardship, Dignity, and a Lineage Older Than Doctrine Long before religion wore names, humans already knew—they were not owners of the world, but guests within it. The Islamic teaching of khalifa is not a new revelation. It is a remembering—an echo of an ancient human responsibility that has traveled through nomadic memory, Zoroastrian ethics, and Islamic consciousness.

A story of ancestry, myth, and the wild feminine that refuses to be named.

A lyrical reflection on the Afghanistan the world never sees—childhood gardens, family, memory, and the quiet grief of diaspora. An invitation to witness a different Kabul.